First off, the artwork, throughout, was absolutely gorgeous. The animation was smooth and lively, the background scenery was detailed and beautiful, and even the CGI looked incredible. It looked like the uniformly amazing cutscenes from the games, only they somehow managed to make it better. My eyeballs have sinned greatly in the abundance of eye candy and scenery porn.
My ears aren't any better off. The musical score was just as incredible. When dealing with the riddles on the boat, they were timed by a short tune that was a souped-up version of the music box tune that plays during puzzles in the games. (The same tune was also reworked in a creepier way when they were discussing the little girl claiming to be Melina.) The opera music was beautiful as well, and the musical finale... well, the guy who gave a short speech before the movie (since it's part of the Scotland Loves Anime festival, there are speakers before everything) said that the ending was a little Castle of Cagliostro, and I could see that, but it also reminded me of the finale of Pokemon 2000, with Melody's ocarina melding into an epic orchestral version of Lugia's Song. When the Song of the Sea that Melina was singing was merged with the Professor playing the Song of the Moon and the Song of the Sun, the three songs made up a sweeping, haunting, epic piece that was merged with an incredible visual sequence as Ambrosia rose from the sea. I MUST find out if Mp3s of that song exist, because it was truly beautiful. All of the music was lovely, but this really stood out.
The story was clever too, if so very tragic. I was in floods when Melina was telling her father she was leaving. I particularly loved the scenes that showed Melina and Janice splitting, and aside from when they spoke, the two moved in perfect unison. The absolute heartbreak in Janice's voice when she said that Melina was gone didn't help. Of course, they then caused some serious mood whiplash when Inspector Crosky walked over to Melina's dad and told him he had to arrest him for kidnapping, because you can't help but laugh whenever Crosky speaks or does anything or when you just look at him, really XD
As always, the characters were all unique and lively and charming (Though I think I saw Mr Beluga in the Opera House at the beginning), but Crosky stands above them all. Here's a picture of him after being thrown overboard, swimming away from ravenous remote-controlled cyborg sharks and mad-scrambling his way back onto the ship.
Just look at him and try not to laugh. Just try it. I dare you. He was providing constant modd whiplash, because it really was incredibly difficult not to at least giggle whenever he was onscreen and being a bit mad, which he always was. (The other things that made the entire cinema laugh were whenever the Professor talked about being a "True Gentleman", whenever Luke failed- which the poor kid does a lot- and when Descolier was introducing his riddles as "Now it's time for puzzle zero-zero-two" and numbers would flash up exactly like the numbers in the games XD)
The puzzles were well-done too. They were solvable, but it wasn't like the movie did a Dora the Explorer thing and froze for a moment to let you figure it out. It jsut kept going, showing everyone pondering the riddle or puzzle. Sometimes, also, when the Professor was thinking about a really tough puzzle, everything onscreen except the Professor would flash away and you'd see little ghost-images of what he was thinking about. Then he'd open his eyes and point at something, just like when you solve a puzzle in the games. One time he did this was particularly funny- trapped in a shed with Luke and Janice, surrounded by ravenous wolves, the Professor was thinking about the things in the shed, and then walked over to the chainsaw. My brother and I were both like "CHAINSAW SOLVES EVERYTHING!" XDXD Which it did, but not in the way we were expecting. He did his McGuyver thing again, like in Curious Village, and built a helicopter in a shed. (WITH A BOX OF SCRAPS! XD)
There was a nod to Pandora's Box, too, and a particularly epic one. On top of a giant mecha-castle controlled by music, having just miraculously survived the epic explosion of said helicopter after flying right into a giant chainsaw about to hit Luke and Janice, the Professor got another swordfight. With a guy dressed as the Phantom of the Opera. Who had a real sword against the Professor's lead pipe. And it was AWESOME. It was even more amazing than his fight with Anton, and you know that's saying something.
All in all, INCREDIBLE MOVIE. I must find out if it's coming out on DVD. THE PRETTY MUST BE MINE.